He collaborated with conductors such as Umberto Benedetti Michelangeli, Daniele Gatti, Andrea Marcon, Christoph Hogwood, Trevor Pinnok, Franz Brüggen, Ivor Bolton, Richard Egarr, Giovanni Antonini, Ottavio Dantone.
The outcome is a delightful opportunity to enjoy famous pieces in a totally different light.īegan his career as a soloist under the baton of conductors such as Claudio Abbado, Eliahu Inbal, Peter Maag and Giuseppe Sinopoli and has performed in all the most prestigious concert halls of the world. Underpinned by persuasive historical and musicological evidence, the approach first and foremost reveals their pleasure in working together on an innovative project. Inspired by the three existing double concertos for violin and cello by Vivaldi – an unusual coupling in eighteenth century concerto literature – they revisit double concertos by Vivaldi and Bach (the famous BWV 1043 for two violins and BWV 1060 for violin and oboe), transposing the second solo part an octave lower on the violoncello piccolo. Violinist Giuliano Carmignola and cellist Mario Brunello: one of the greatest interpreters of Vivaldi and Bach, whose recent recording of the Sonatas and Partitas was described by the authoritative magazine Gramophone as ‘a definite first choice among period instrument recordings of these works’ and his long-time friend Mario Brunello, acclaimed for his personal reinterpretation of that same famous collection on the violoncello piccolo (A469).Īccompanied by the Milanese ensemble Accademia dell’Annunciata, they offer a highly original, experimental programme. Double Concertos for Violin and Violoncello Piccolo
Info for Bach & Vivaldi: Sonar in ottava. 19 Concerto in E-Flat Major, RV 515: Allegro 03:46.18 Concerto in E-Flat Major, RV 515: II.
Antonio Vivaldi (1678 - 1741): Sinfonia in D Major, RV 125:
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